Visual effects production within the entertainment industry relies heavily on technology to deliver the impressive cinematic effects that audiences have come to expect. To keep the studio up on current innovations and systems running smoothly, production also relies on the computer specialists that are experts in all things tech.
A single visual effects sequence is often the work of dozens of artists, all contributing assets through processes of motion tracking, match moving, compositing, lighting, and animation. It is the role of the sequence supervisor to ensure that the work of each artist comes together seamlessly, producing a polished, finished product.
Putting the finishing touches on a film or television show is a long and involved process that requires the dedicated efforts of numerous technical and artistic departments, much like principal photography. Just as the director provides leadership and oversight of filming, the post-production supervisor wrangles together the many pieces to complete the project.
Supervising the staff of promotions assistants, the manager is responsible for approaching advertising clients and community partners concerning opportunities for promotional activities. He or she negotiates plans by which the station may participate in and benefit from, including events such as fairs, concerts, parades, and other local festivities.
Before a film hits theaters or a television show airs, attorneys must work out numerous contract stipulations that govern a company’s rights to exploit a creative property. In today’s increasingly connected technological landscape, attorneys face greater challenges in determining and anticipating all possible uses of a copyright license, wading into uncertain waters of social media, free streaming content, and paid on-demand distribution.
Scenery is one of the most comprehensive visual elements of a film or television production. Sets establish a time and place but can also become characters in themselves, with great craftsmanship and effort put forth to providing an immersive environment in which the cast plays out the story. Just consider for a moment the iconic places audiences have traveled through scenery, like the bridge of the Starship Enterprise or the untamed and ominous ruins of Kurtz’s Cambodian compound.
Similar to how a film or theatrical director coaches the performance of actors and blocks the movement of the scene, an animation director working in video game development is responsible for guiding animators to create lively, expressive characters that evoke real emotion and provide the player with a heightened game experience.
Filming is an involved and complicated process with numerous teams working in collaboration to bring the several logistical and creative pieces together. The set construction process is a small example of that; many skilled craftsmen and women work diligently to complete pieces of a larger design that come together only through cooperation and careful planning.
What does a friendly and optimistic talking frog sound like? How about a troublesome yellow 10-year-old? Just about anyone aware of pop culture could give you their best Kermit the Frog or Bart Simpson impression or perhaps enact Yoda having a conversation with Bugs Bunny. What these memorable characters all have in common is a distinctive voice that is inextricably linked to the image audiences carry in their minds. So, how does one go about achieving such a perfect pairing of personality and voice?