Tagged As: scenic artist

The Following content has been tagged as "scenic artist"


Paint Coordinator

The paint coordinator on a film or television show is hired by the production designer or art director and is responsible for the supervision and organization of the paint department, as well as the execution of all paint assignments, including painting sets, props, backdrops, signs, and permanent buildings or soundstages.

Set Designer

Audiences don’t usually spend much time wondering if a particular scene of a film or television show was shot on location or created on a sound stage, and that’s the way it should be. Set designers that create elaborate and visually stunning scenery leave an impression on admiring viewers, but the subtle sets that seamlessly create a believable environment inside of a sound stage are noteworthy for holding the suspension of disbelief.

Lead Carpenter

Filming is an involved and complicated process with numerous teams working in collaboration to bring the several logistical and creative pieces together. The set construction process is a small example of that; many skilled craftsmen and women work diligently to complete pieces of a larger design that come together only through cooperation and careful planning.

Limelight Productions, Inc.

Founded by William Beautyman in 1972, Limelight Productions supplies production equipment and installation services for the entertainment industry.

Construction Buyer

Hired during pre-production of a film, television show, or live production, the construction buyer works under the direction of the construction coordinator and construction foreman to source all materials necessary to complete the build of set pieces and scenery.

Paint Foreman

The paint foreman may be hired by the paint coordinator and begins work during pre-production on a film or television program. This person is second in command of the paint department and must be capable of assuming the role of the crew head in the event that the paint coordinator is unavailable.

Painter

Scenery grounds a story in a particular time and place and is one of the visual elements that most absorbs an audience into the scene with the cast on screen. Carpenters are responsible for building those sets, but the sets are never complete until the crew of painters has taken their brushes to them.

Key Scenic Artist

In film and television production, it is often cumbersome and costly to use authentic materials in set construction. Instead, wood paneling, marble countertops, or titanium alloy bulkheads are replicated and approximated with cheaper stand-ins. With help from the carpenters, scenic artists complete this illusion with the application of faux finishes and expert painting techniques. As highly specialized artists, these members of the paint department focus on disguising one material for another and tricking the camera’s lens.